Igor Ilyinsky talks about his career in theater and cinema.

A young poet, Paul Susser (Vincent Hoss-Desmarais), meets his master, the great author Samuel Beckett (Stephen McHattie), in a small café. The two men initiate a complex friendship that spans the last two decades of Beckett's life and forever changes Paul's future.

John Cleese shows that, properly planned and organised, a meeting can achieve more in a short time than any other method of internal communication. Makes people aware of the damage that can be done by approaching a meeting without preparation. Demonstrates techniques and disciplines that can make meetings shorter and more productive.

The television film tells about specialists dealing with the environmental problems of Siberian rivers and searching for engineering solutions for new methods of log driving. It is also a film about the personal, deeply dramatic relationships of the characters.

TV movie version of the famous Prince Igor opera

This year’s gallery of artistically inspiring portraits of uncompromising eccentrics (among them The Hanging of Stuart Cornfeld, Robert Richardson: The White Devil and A Pint of Ink) features another unobtrusive stand-out in the shape of Igor Luther, a key figure of Slovak and European cinematography. Ivan Ostrochovský’s perspective is rare, dynamic and also meditative, while Luther himself co-authored the project during the last few months of his life. Works such as Juraj Jakubisko’s Birds, Orphans and Fools, Volker Schlöndorff’s The Tin Drum and Andrzej Wajda’s Danton, in the persuasive words of their creators, wouldn't have the same timeless energy today if it weren't for Luther's visionary endeavours.

Uzbek young man Rustam, a helicopter co-pilot, is participating in the construction of a high-voltage line in the Alps. One day in West Germany, where he was sent on a long business trip, the hero meets Uzbek emigrants. The external well-being of the new friends very soon revealed the catastrophic nature of everyone’s destinies. These meetings contribute to Rustam’s spiritual and civic maturity; the hero rediscovers the necessity and significance of his homeland, where his family and friends have long been waiting for him.

Pulcinella finds himself in New York and not Naples: from stockbroker to semi-naked banker in the midst of Wall Street. Actualization of Igor Stravinsky's ballet composed as a tribute to Italian music.

1980s, USSR. Seven-year-old Olya, whom everyone calls Oliva, grew up in the village. By her side is always her faithful friend, the shepherd Rex. Olive is sure that she understands animals and easily finds a common language with them, be it a dog or a goat. In addition, Olive is a very erudite girl with a precocious adult view of the world, because she accidentally read her grandmother's entire library. Her best friend Igor is a moderately quick—witted, but very economical and wholeheartedly in love with Olive, a boy who is ready to support any of her adventures.

A re-creation of discussions between Walt Disney and his key artists over the film Bambi (1942).